LE HAYE

About

The studio in Leigh-on-Sea: finished paintings stacked against the wall beside the window, an easel at the left

The studio, Leigh-on-Sea

I live and work in Leigh-on-Sea, on the north bank of the Thames estuary, and I draw it every day. The paintings come out of that habit: flat planes of contrasting colour, worked in household emulsion, oil and charcoal on birch ply.

The estuary is never still. Twice a day it empties and refills, leaving a stack of bands (sand, silt, mud, algae, water, sky) that shift in colour hour by hour. I paint the bands rather than the view.

Beneath the surface, the same stacking happens far more slowly. The seabed here is compacted clay and gravel, built up over millions of years, and the mud on top is only the most recent layer.

Each painting tries to hold both timescales: a tide that turns every six hours, and layers laid down over an epoch.

The work

Location
Leigh-on-Sea, Essex
Substrate
Birch ply, canvas board
Media
Household emulsion, oil, charcoal, varnish
Format
Predominantly 40 × 50 cm, portrait

Framing

The framed images on this site are mock-ups. This is what arrives: the panel set into a plain oak box frame, ready to hang.

Estuary (014), a painting in bands of turquoise, pink and grey-brown, set in a pale oak box frame and hung on a white panelled wall
Estuary (014), in its oak box frame

Exhibited

Twenty-seven small paintings by different artists standing on four wooden picture ledges on a white wall, at the group show Tides
Tides, group show, Charlie Evaristo-Boyce Gallery · All exhibitions

Enquiries

Works are sold directly from the studio. Studio visits in Leigh-on-Sea are welcome by arrangement.

Get in touch